Collection: Paintings

Jay Senetchko is a storyteller, who uses narrative art as a vehicle for social criticism.  He is most easily defined as a painter, although he situates his practice in a broader material context and process, which includes photography, digital media, sculptures, performance and installations. His spectacle-based exhibitions are an effort to insert fine art back into the social fabric by engaging the public at large, not only the academic and invested.

In Senetchko’s primary medium of oil on canvas he operates as a figurative realist creating narrative-based paintings. His subject matter, featuring elements of his personal history, contemporary life, and historical references exposes him as an artist with a nostalgic and romantic temperament. However, it is his intention through the use of these vehicles to comment on and critique the present, reveal historical parallels, and provoke thought to approach the future.

Below is an overview of listed paintings. To view individual bodies of work, please click through the Paintings header and the associated subsections.

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  • The Great Refusal (In the Country - preparatory collage)
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